Marlene Dumas | The Image as Burden

Once labelled ‘the world’s most interesting figure painter’, Marlene Dumas (b.1953) is famous (although not quite as famous as she should be) for intense, psychological, emotionally-charged works which use the human form to embody such diverse topics as politics, sex and grief.

The variety and scale of her output is revealed in Marlene Dumas: The Image as Burden, a huge retrospective of her work that has just opened at Tate Modern, filling 14 rooms with over 100 of her most iconic paintings and drawings. It’s safe to say that her reputation – already glowing in the art industry – is about to take its place firmly in the mainstream.

Read more at Phoenix Magazine

Advertisements

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s